By Jay Morse & Heidi Radunovich, PhDCreative Commons [Flickr, The Prison, May 27, 2007]Recent research has shown that military spouses show relatively high rates of depression during combat deployment of their spouse and that the rates of depression are more than 3 times that of their civilian counterparts. Much of the research to date has centered on the deployment period, though 75% of spouses have reported that the first 3 months following deployment is the most stressful time during the deployment cycle. Given the high rates of mental health conditions during and following the deployment cycle and the importance of maintaining a high level of functioning in the military family, researchers Dolphin, Steinhardt, and Cance have examined the influence of positive emotions on depression in female spouses following deployment .A total of 252 Army wives whose husbands had been deployed to Afghanistan were surveyed during the deployment of their spouse and 3 months following the return of their active-duty husband. Sixty percent of spouses were married to junior enlisted soldiers, 31% to non-commissioned officers, and 9% to commissioned officers. Ages ranged from 19 to 39 with a mean age of 25. The military wives had been married an average of 4 years. Eighty-four percent of the participants had children.Demographic information as well as measures of marital satisfaction and positive emotions were collected during the deployment period. Marital satisfaction was measured using a single question that ranged from very unsatisfied to very satisfied. Positive emotions were measured using the 10-item subscale of the Positive and Negative Affect Schedule (PANAS) which focuses on positive and negative arousal. Following deployment, coping strategies, resilience and depressive symptoms were measured. Coping strategies were measured using the Brief Coping Orientations to Problems Experienced Scale (Brief COPE), capturing a broad range of behavioral and cognitive strategies used during stressful situations. Resilience characteristics, such as faith, goal setting, humor, and patience, were measured using the Connor-Davidson Resilience Scale. The Center for Epidemiologic Studies-Depression Scale was used to measure depressive symptoms, including depressed mood, feelings of guilt, worthlessness, and helplessness.Analysis of the surveys showed that one-third of the participants reported moderately severe levels of depressive symptoms 3 months following deployment of the service member. Lower levels of positive emotions during deployment correlated with higher maladaptive coping and more depressive symptoms after deployment. Of note, wives who had been married longer and had greater marital satisfaction showed lower levels of maladaptive coping and fewer depressive symptoms than their peers who had been married a shorter period of time and were dissatisfied with their marriages. It is also notable that having experienced a higher number of deployments was associated with more positive emotions, better coping and resilience, and lower levels of depression.When working with military wives who have recently experienced deployment of their husband and who are experiencing depressive symptoms, emphasizing adaptive coping skills, such as utilizing emotional support, may lead to improved well-being during this difficult transition time.References Dolphin, K. E., Steinhardt, M. A., & Cance, J. D. (2015). The role of positive emotions in reducing depressive symptoms among Army wives. Military Psychology, 27(1), 22-35. doi:10.1037/mil0000062This post was written by Jay Morse & Heidi Radunovich, PhD, members of the MFLN Family Development (FD) team which aims to support the development of professionals working with military families. Find out more about the Military Families Learning Network FD concentration on our website, on Facebook, on Twitter, YouTube, and on LinkedIn.
The Cooperative Extension System is operated through the nation’s Land-Grant University System in partnership with the federal and state and local governments. As the federal partner, NIFA develops methods to address national priorities, funds and awards grants, and provides program leadership. The agency supports both the universities and local CES offices to bring science directly to the regional and county level.The Cooperative Extension System (CES) is a nationwide, non-credit educational network that addresses public needs by providing non-formal higher education and learning activities to farmers, ranchers, communities, youth, and families throughout the nation. With an organization that has been operating for over a century, CES is well positioned to efficiently get needed tools and knowledge into the hands of the people who need them.UNPRECEDENTED REACHAt a time when social, agricultural, food, and environmental challenges are mounting and needs are growing, CES is more relevant than ever. With its wide reach — an office in or near most of the nation’s approximately 3,000 counties — extension agents and educators help farmers grow crops, homeowners plan and maintain their homes, and youth learn skills to become tomorrow’s leaders. Military families and veterans have always been regular users of CES, however, greater emphasis on these populations is underway. The bottom line is that the Cooperative Extension System is a federal agency that has massive community reach, extensive experience in relevant subject areas, and a long history of a solid reputation. A few weeks ago we discussed the concept of force-multipliers and gave some background on the Cooperative Extension System, today we’d like to re-focus that conversation to discuss how the CES can work towards achieving Total Force Fitness. When working toward total force fitness within military communities, there are three essential questions you can begin with:How do you determine a methodology to assess the health, well-being, and resiliency needs/requirements of your community/population?How do you compare those needs/requirements to the community’s capability to meet those needs?Once you identify gaps in being able to meet your community needs, how do you develop a plan to address these gaps? Working Toward Total Force FitnessTotal Force Fitness (TFF) is a DoD framework for well-being that views “health, wellness, and resilience and as holistic concept”, requiring “a connection among mind, body, spirt, and social relationships”. Main Points:*TFF was created by the Joint Chiefs of Staff and became policy in 2011.TFF is the DoD’s 21st Century paradigm for improving Population Health, and includes eight domains of fitness.TFF is a state in which the individual, family and organization can sustain well-being and performance under all conditions.The Services are responsible for implementing TFF Programs.TFF requires the collaboration of the partners in public health.
In today’s Friday Field Notes, we will continue to explore how cooperative extension can support Total Force Fitness (TFF) by examining the resources for nutritional fitness available through cooperative extension.What is Nutritional Fitness?Nutritional fitness involves the development and maintenance of a high quality, nutritional diet. Eating a balanced diet of fruits, vegetables, lean meats, healthy fats, and whole grains supports service members’ and their families’ physical and psychological health.Maintaining a healthy diet and ensuring their children receive adequate nutrition is a concern for most parents. For children with food sensitivities, like many children with autism and related diseases, parents may find it more difficult to ensure their children are getting quality nutrition.Join the Family Development and Early Intervention team for the Yuck! I Don’t Eat That! Nutrition and Selective Eating in Young Children with Autism webinar this Wednesday, June 12 from 11am to 12:30pm EDT. This webinar will address the common concerns regarding eating and nutrition for children with autism and related diseases and provide strategies for ensuring children with autism and related diseases are receiving adequate nutrition.Cooperative Extension and Nutritional FitnessIn addition to the strategies provided in this webinar, cooperative extension provides a variety of resources for families to help them develop and maintain a healthy diet. Many cooperative extension programs even provide recipes for inexpensive, family friendly, nutritious meals!To find resources near you and the families you work with, click on your state below or contact your local cooperative extension office.AlabamaArizonaArkansasCaliforniaColoradoConnecticutDelawareFloridaGeorgiaHawaiiIllinoisIndianaIowaKansasLouisianaMaineMarylandMassachusettsMichiganMinnesotaMississippiMissouriMontanaNebraskaNevadaNew HampshireNew JerseyNew MexicoNew YorkNorth CarolinaNorth DakotaOhioOklahomaOregonPennsylvaniaRhode IslandSouth CarolinaSouth DakotaTennesseeTexasUtahVermontVirginiaWashingtonWest VirginiaWisconsinWyoming
Ready to jump into DaVinci Resolve color grading? In this video tutorial, colorist Dan Moran shows off an ideal DaVinci workflow.If you’re feeling intimated by DaVinci Resolve, fear no more. This Resolve video tutorial will walk you through a post production workflow geared toward the Blackmagic user (Blackmagic Cinema Camera and Davinci Resolve). Although Dan covers particulars about working with Blackmagic’s new Cinema Cam, there are plenty of take-aways that can be applied to working with any professional camera system.The DaVinci Resolve tutorial starts by showing the best way to setup your project file and bring your footage into the app. From there Dan digs deeper into working with RAW files, encoding files into an intermediate codec and adding and working with metadata.Finally, you’ll get the basics of color grading in DaVinci Resolve.For anyone interested in the Blackmagic Cinema Camera or Resolve color grading, this is 20 minutes well spent!
The Edge Matte node can also be found in the Modular Keyer. It’s here where pulling edge mattes can aid in creating Light Wrap effects with your keys…or aid in making cleaner composites.[Click for larger image]Blurring your image a bit can also effect the edge detection as more blur will create fewer edges created. This will allow you to focus on the main edges in an image and not all of the details in the image that can get in the way of creating the edge you want.Smoke’s Field MergeThe Field Merge Node is very simple. When dealing with interlaced clips, you can blend the fields together, essentially creating a progressive clip. This differs from the Deinterlace Node in that it doesn’t split the fields or lengthen the clip. It can also reduce field flicker in an interlaced clip. You can set the value at 100% for complete blending or less if needed.Field merge will soften the image, as you are blending moving fields, so the adjustment will help give you the best result. I often use field blending to create a “film-look” effect as it helps to lessen the “video” look of an image.[Click for larger image]Smoke’s Flip NodeThe Flip Node performs a very simple Flip of your image along the Vertical or Horizontal, or Both Axis. When you flip a clip vertically, you may need to reverse the fields so that the clip plays back in the proper field order.There are many other ways to flip a clip in X or Y, so why would you use this node over 2D Transform or through Action? On my MacbookPro setup, I found no difference in rendering speed between the Flip Node, 2D Transform, Action, or Axis on the timeline. This is an older node, which is why it still exists in the bin. It is fast. When you just need to flip a shot that might be in the middle of a large CFX node schematic you can just pop the node into the flow.[Click for larger image]Smoke’s Filter NodeThe Filter Node uses old school mathematical matrices on a per pixel bases to perform image processing like Blurs, Edge Detection, and Emboss to a clip. Most of the effects that you can do with the Filter Node can be done better and with more flexibility in other nodes. There are many presets you load to see how the effects are applied. The basic understanding of how a Matrix operation works is that a grid is placed around each and every pixel. The grid can be as small as 3×3 or as large as 11×11. The operation replaces each pixel with the weighted average of the pixels around it, where the weights are given by the matrix.A Matrix that looks likes this produces no change in the image.To be honest, this type of image processing was great in the 1990’s, but it has long since been practical. Smoke’s other nodes like Blur, Glow, & Bump Displace are tools built in the modern era. I am sure some old school users relied heavily on this node in the past, but not anymore. It’s my guess that this is a node you won’t ever use. If you are mathematically inclined, you may find more creative uses as you can define your own pixel comparison matrices. If you look through the presets you can find a few of the settings that still produce a unique look. Check them out and see if you can find some use for them. When dealing with softer video shot with DSLR and compressed to H.264, I do find the Sharpen Filter does do a nice job of making the edges crisper.[Click for larger image] In this post we explore more nodes inside Autodesk Smoke ConnectFX. In this Smoke tutorial we’ll show you how to use Edge Detect, Filter, Flip, and Field Merge nodes in your editing projects.This week we blitz through some simple nodes inside Smoke’s node-based compositing environment – ConnectFX. Edge Detect and Filter are the more creative tools, whereas Flip and Field Merge are more utility operations. Some nodes you may only use once year. Other nodes you use every day. In our series on Smoke ConnectFX nodes we’re breaking down how each node works and what you can do with it. So, when you need to do that ‘one thing’ you’ll know what node to use!Smoke’s Edge DetectThe Edge Detect Node will define an edge and output a matte for that edge for use further down your ConnectFX schematic. The edges are based on colors and luminance between pixels. You can choose to define edges based on RGB, HLS, Chroma, or Mono.[Click for larger image]You can set the Result output as the composite of the input image with the matte generated by the edge detection. Or, select Edge Only to output only the result of the matte generated by the edge detection. You can also choose what to output from the nodes matte output. You can choose to simply pass the original input matte through or output the created Edge Matte effect. The Edge Detection settings area is where you define the edge based on the input image. You can adjust the weight of the individual Red, Green, Blue channels. Changing these values form 100% will increase or decrease how much of that channel is being used to define the edge. In RGB, HLS, and Chroma settings, it will adjust the color of the edges created. The Threshold setting can be set for the minimum and maximum values. Think of it like the min/max settings of the 2D Histogram. The Softness setting in this area is adjusting the width of the softness between edges in your image and the gain of that softness. It will blur the edge matte and increase the luminance of it.In the Edge Effects area you can create a Double Edge which will perform a second pass of the edge detection. There are more min/max settings and Softness settings affecting the Double Edge. You can skew the softness in a direction by activating the direction button and setting the angle. This can act like a change in lighting on the generated edge matte.You have Color controls inside this node. These controls color the edge matte even further, increasing or decreasing colors.With the Use Matte button enabled, you can choose common blend modes with transparancy, used with the color correct controls to create edge effects in your image. Follow all of our coverage of the new Autodesk Smoke. Please let me know your Smoke questions/thoughts/experiences in the comments!
If you couldn’t make it to Edit Fest London, here are 10 insights I learned from top television and film editors at this year’s Fest!EditFest is a day long series of panel discussions featuring top professional film and television editors, held in New York, Los Angeles and now London. But it is far more than just a day of talk, its a rare opportunity to meet, question and learn from world-class editors who are working on major Hollywood blockbusters and HBO multi-series hits.For a full run down of the panelists check out the Edit Fest site but know that if you’d been there, you too could have chatted over a glass of wine with the editor who cut the famous scene in Heat where Pacino and De Niro talk it out over coffee! Lesson No. 1 – You’ve Got To Get Out ThereIn this Internet age, its very easy to assume that event info will make its way online; that you just can download the podcast, read the blog posts or follow the live tweets and basically have gotten much of the same content as those who attended but for free and from the comfort of your own home. Well you would be wrong. Totally and utterly wrong!The beauty of events like Edit Fest or The Supermeet, or any event where you physically meet people, is all the stuff that happens before and after the panels. It is the chats in the corridor or over coffee or at lunch. The first lesson I learned from EditFest is that you’ve absolutely got to go to events like these. Make the trip, pay the money because days like these are a rare opportunity to get inspired, informed and integrated with other post production professionals in a way that’s not feasible online.Lesson No. 2 – Group TherapyChatting to fellow editors at the AOTG.com pub night after the free Edit Fest cocktail mixer (those Dutch editors can drink!), it seemed like the main encouragement that most editors took away from the day was that we all face the same problems, regardless of budget, genre or product market. Problems like the first version being embarrassingly bad, that its really hard to stay fresh, or that you can’t bear to watch your own work for a good few years afterwards. As John Wilson A.C.E. editor of Billy Elliot said on the day ”It takes me five years to watch a movie I’ve cut, to really see what I’ve done.”Spending a day discussing the craft with other editors at all stages in their careers was both highly educational and extremely encouraging. Lesson No. 3 – Diplomacy Is Essential“The most important talent to develop in the cutting room is diplomacy. Never hold anyone’s idea up to ridicule. Try anything and be ready to fight for what you think is right.” -Tom Rolf A.C.E.If there is one lesson which is absolutely vital for any editor to learn it is that being diplomatic is crucial to developing a healthy career. The edit suite is not only just the place where films are made, but also the arena of a great deal of personal politics, passions and opinions. All of which needs to be handled with a deftness and a strength that is often a real challenge to get right.As Tom Rolf sums up, being open to any idea is important not just on a personal level but for the benefit of the project. It’s all to easy to defend your edit decisions by saying ”I tried that and it didn’t work” than to cheerfully give it another go anyway. Equally it is important to be able to engage in a respectful level of argument when you really believe in a creative call. As Tom later said “It’s alright to get a little blood on the cutting room floor.”Lesson No. 4 – Fighting Film BlindnessWhen you are working on a project for a long time one of the most difficult hurdles to over come is that of ‘film blindness’ – being so close to your work that you can’t see it as it really is. The feature film editor’s panel shared some of their secrets on how to stay fresh to the material. “I try to watch it in a different context from the work environment, taking it home or into a screening room. I try not to dismiss any notes. Your negative reaction might be because you’re too close to the scene. So be open to all ideas.” -Chris Dickens A.C.E. (Slumdog Millionaire) “I try not to watch it alone with the director because its too easy to talk through it. It’s much better to bring in another person, to help see it through their eyes.” -Tracy Granger A.C.E. (Boys Don’t Cry)“I like to make viewing the film in the edit suite a bit more of an event by turning off the monitors, turning all the chairs around and setting up a video projector. It helps keep everyone focused on the film.” -Eddie Hamilton A.C.E. (Kick Ass 1 & 2)Lesson No. 5 – Film Vs DigitalWith the advent of digital media and the demise of film, many of the editors felt a few vital things had gotten lost along the way and that the expected pace for editors had quickened a bit too much.“Rewinding a Steenbeck gave you plenty of thinking time and thinking time is vital.” -John Wilson A.C.E.“Rewinding through rushes also gave you a chance to see every frame at high speed and you could spot things you’d forgotten.” -Tracy Granger A.C.E.“On film you had to construct it first in your head and then do it physically. Now that the polish comes with it (in digital) you don’t pay as much attention to the basics, structure etc. Because everything is so fast you feel like you have to get it right the first time. But you need the opportunity to get it wrong.” –Chris Dickens A.C.E.“It’s getting more and more difficult these days to watching everything. Shooting ratios on Game of Thrones can be as high as 60/1 (normally its 15/1) as they’re always running several cameras. I still try to do that but I have to admit I sometimes have to skim.” -Frances Parker A.C.E. (Game of Thrones)Lesson No. 6. – Watching RushesThe TV editors panel, moderated masterfully by Gordon Burkell from Art of the Guillotine provided lots of insights into each editors technique when it comes to digesting rushes and tackling a scene for the first time.“Each job is different and you just have to respond to the rushes each time. For me the performance comes through the eyes and I’m just responding to instinct and feel. And I’ll look at the script to see where is the drama in this scene and then shape it around that.” -Kristina Hetherington A.C.E. (Birdsong)“It all starts with the story. My edit suite needs a sofa in it because once I look at the rushes I need to have a lie down (to think). You’ve got to find the best nugget and shaping the story around that. It’s all about story, story, story. But each editor has their own pattern, there’s no set rules.” -Oral Norrie Ottey A.C.E. (Game of Thrones)“Dialogue scenes are often difficult to cut as there are so many nuances you want to pull through. I make extensive notes on the script – Great reaction to this line etc – and start as faithfully to the script as I can. I often assemble quickly and then leave it because you can often over work it. When I re-watch it later I’m looked for the real focus of the scene, which might not be what you thought it was when you assembled it. Its a very fluid process.” -Frances Parker A.C.E.“Very rarely does a film work as it’s scripted. I stop reading the script after the first day of shooting because if they haven’t shot it, it doesn’t matter. The footage is all that matters.” -Eddie Hamilton A.C.E.Lesson No. 7 – Wile editor tricksDuring the day a few cunning editors tricks were mentioned which might come in handy one day.“I’ll leave a bad scene in to misdirect attention, to give me more time to do the real work.” -Mick Audsley A.C.E (Harry Potter and the Goblet of Fire)“It’s always good to have a couple of really polished sequences to roll out when people come to look at things.” –Chris Dickens A.C.E.“We kept the process private by being portable. I was editing Kick Ass 2 on a laptop in the directors flat in Kensington.” –Eddie Hamilton A.C.E.“I prefer working alone. Staying late to strip the film down to the spine, taking out things the director would never want to lose, just to see what you have. There’s a very small difference between a bad idea and a brilliant idea which you wouldn’t try with other people in the room.” -Tracy Granger A.C.E.Lesson No. 8 – Working with SoundIt was interesting to hear a variety of opinions on working with sound, with some editors leaving it all to the sound editors while others feeling like they needed to provide a highly polished and full sounding mix, right out of the Avid.“I often watch it on mute to see the issues buried in it. I try to make it as hard as possible for something to carry the scene if its not working.” -Mick Audsley A.C.E“I will cut it mute for a long time, imagining it with the sound effects at first and then adding in sound effects, music etc as a full mix to make the most of sound’s storytelling power.” -Eddie Hamilton A.C.E.“It’s all too easy to fall in love with the temp music. But if it works without sound effects and music, you know it will be fantastic with it.” -Kristina Hetherington A.C.E.Lesson No. 9 – Cutting for dramaThe most important thing you can do as an editor is to focus on the drama and the story. It’s more important for the drama and the story to be perfect than for the cosmetic things like continuity or stylistic touches to be 100 percent accurate. Chatting to commercial’s editor James Rosen at the AOTG pub night, he shared how he had learned to focus on the choices he was making in his editing as they relate to the drama of the scene: cutting to a close up not for the best line but because the drama of the scene dictates that we need to be in a close up. It’s a great lesson to ponder when watching back what you’ve cut.“I like to focus on the eyes, if they’re feeling it, we will feel it. It’s about balancing the emotional output. Not having too much either. Sometimes you need to throw away what may be the most amazing part because its too much.” -Kristina Hetherington A.C.E.Lesson 10. – Work HardOne of the things that struck me most was Eddie Hamilton’s absolute drive to be the very best editor he can be, which seems to have been a major factor in his whole career progression. If you want more advice from Eddie on getting into the film industry, check out this great article on his site.“I remember as a kid begging a friend’s dad to take me to see Return of the Jedi, because I never got taken to the cinema.” “I failed to get into film school and so I got a job as a runner and taught myself Media Composer, staying behind every single evening and weekend.” “I often think if I stay an couple of extra hours, then I can make sure this is world class, in case anyone comes in to see it tomorrow.”
Can the Blackmagic URSA stand toe to toe with the RED Scarlet?First, before we get started, I need to make it clear that I am a REDUser. I’m currently using the RED Scarlet on my latest documentary and I’m slated to use it again this coming summer for my next doc. I’m a RED fan, but how does the Scarlet stack up to the new kid in town, the Blackmagic URSA?As a documentary filmmaker that is moving more and more toward narrative work I have been looking to replace my Canon for some time now. So, looking at production cameras to add to my arsenal within my price range I have researched the Canon C300, Sony FS700, Blackmagic Production Camera 4K, Blackmagic URSA and the RED Scarlet. It was the last two that really caught my attention.At first I didn’t think there would really be any discussion between the URSA and the RED Scarlet. I thought the RED would easily run away with my money….but then I started looking at results. The one thing I kept hearing from fellow filmmakers was that the Blackmagic URSA and Production Camera 4K boasted better sharpness and dynamic range than the Scarlet. After hearing this I had to really start looking into this.How do the Blackmagic sensor and RED sensor compare?Faymus Media has an interesting video that compares the Blackmagic Production Camera 4K with the RED Scarlet. I know this isn’t the URSA vs. the Scarlet, but in a way it is, as the Production Camera and the URSA use the exact same sensor. Now the comparison video is a bit on the long side, but its intriguing for those interested in the tech details.Now as I said the URSA has the same exact sensor as the Production Camera, but what is incredibly interesting about the URSA is that you can swap that sensor out. So essentially when Blackmagic decides to craft a new sensor that captures 6K or 8K at even higher frame rates all you need to do is remove the old sensor and replace it with the new sensor. That is pretty amazing.Director and Cinematographer Frank Glencairn has a really nice comparison between the Blackmagic Production Camera and the RED Scarlet. Again I keep using the BMPC because those comparisons exist and the URSA uses the same exact sensor.Here Frank compares the BMPC and the Scarlet using a 18mm lens:And here Frank compares the BMPC and the Scarlet using a 50mm lens:So what does all of this mean?The image quality is very close, with the RED seems to have a little better saturation and overall color balance, but the Blackmagic does seem to have better sharpness. So, to me the core image capturing isn’t the biggest difference, but rather how that image is captured. Those biggest differences come in the form of weight, sensor output, ISO, bit-rate and media storage.The URSA weighs in at just over 16lbs while the Scarlet is just over 10lbs for a basic configuration. The sensor output on the Scarlet is a full 4K at 4096, while the URSA is UHD at 3840. ISO is also slightly different as the URSA is 400 ISO and the Scarlet is 800 ISO. Bit rate is another significant difference as the URSA is a 12bit RAW and the Scarlet is 16bit RAW.[Blackmagic URSA image from Engadget]Finally biggest drawback for me personally was in regards to the URSA media storage. The Scarlet uses the RED Mag which has sizes from 48 to 512GB, while the URSA uses a CFast card setup that at one point I know were selling for $1200 a card. Then I was told by some camera ops that the URSA will record 10GB per minute compared to what I record now on the Scarlet which is right around 6GB per minute.But, as I said above that was an issue although I’m not so sure it is anymore. In my research I came across this article from Business Wire about the advancements that SanDisk is making with its CFast 2.0 cards. I was fairly impressed that the ARRI Alexa can use the CFast 2.0 cards via an adaptor. And with CFast 2.0 card prices becoming more manageable, and actually comparative to the REDMag, it’s not as big of an issue as it was.So, URSA or Scarlet?In my personal opinion, and it is just that, for the money I would purchase the RED Scarlet. But don’t discount the Blackmagic URSA or Production Camera. They are both really impressive, and if you are an independent filmmaker or documentary filmmaker and you live within a tight budget I would tell you to take a serious look at either one. In the end we are artists and storytellers, so the focus should be on how to use the tools available to create a solid story.Do you favor one camera over the other, or other pros and cons that we did not go over? Let us know in the comments below.
Let’s discuss the usefulness of the Boring Detector for the up-and-coming editor — as well as how and why it is sometimes ineffective.Earlier this year, during one of Blackmagic’s many exciting announcements (there have been a few), we learned about a new DaVinci Resolve feature called the Boring Detector. Of course, and I guess somewhat warranted because of the name of the tool, there was an initial social media backlash to the announcement. Art is subjective and, outside of distinct edit points and shots, filmed purposely to cut to a reaction. Who’s to say that a shot is too long? Especially when that criticism is coming from a software algorithm. Popular editor Vashi Nedomansky, ACE, who often shares invaluable editing advice (and also runs a blog that offers a variety of excellent Premiere Pro downloads), had a popular reaction to the summer announcement.A humorous example of the Boring Detector’s ineffectiveness.Understandably, I can see why editors were a little enraged. However, I also think the Boring Detector shouldn’t be an issue at all. Resolve isn’t forcing anybody to use the Boring Detector tool, and the tool is only on the cut page. While DaVinci initially presented the page as a way for editors on-the-go to edit quickly, I see it has been adopted more by new users to the platform, or those new to editing in general and find the dedicated editing page too much of a jump into the deep end. Therefore, I don’t see this tool as something editors will use for determining where their film drops off in audience retention. I see it as a tool to help those without proficiency in editing.So, What Does the Detector Do, and How Can You Use It?This is what the Boring Detector would potentially look like.At its core, the Boring Detector will analyze your clips on the timeline (Cut Page only) and inform you of areas that are either too long or too short. So, it’s not necessarily telling you that this particular moment is boring but, instead, that it’s too longspun. And here’s the thing: this is entirely user-defined.On the Cut Page, you can find the Boring Detector button just under the media pool. Upon clicking it, you’ll see two options.To find edits longer than [user defined] seconds.To find edits shorter than [user defined] frames.The analysis is based on the user’s input. It has little to do with the software scanning through your edit to find shots and moments that it thinks is boring. The clips that have been deemed too long will show on the upper timeline as a grey highlight (red for the jump cuts).The subtle gray highlight in the timeline suggests that these clips are too long.Quite simply, that’s all the Boring Detector is. I find it inherently hard to briefly cover a feature or new gear, and often see myself waddling into a word count in the thousands, which really should have been a quick read, but there’s not a lot to say about this function. Resolve will tell you if a shot is too long or too short based on the user’s definition.To some extent, I like to look at it as a formatting assistant, similar to what you find in Final Draft’s scriptwriting software. Now, I have no intention of ever using this feature, and in fact, I’ve hidden the Cut Page from my display, as it’s a Resolve page I have no use for. That said, I can see the benefit of its use for those who are completely new to editing and would like a little help getting started. Perhaps someone new to filmmaking has read in a book that a cut should last no longer than fifteen seconds. Using that information, they can ask Resolve to highlight and receive an on-the-fly analysis of the shots that trail on longer than desired.I think that the icon and the name of the function are too on-the-nose, which obviously sparked the initial negative discourse. But then again, “Shot Length Analyzer” isn’t as engaging.Looking for more on DaVinci Resolve? Check out these articles.Glowing Results: Grading Skin Tones in DaVinci ResolveWorking with Super Slow Motion in DaVinci ResolveHow to Make an Object Disappear Using DaVinci ResolveNLE Showdown: DaVinci Resolve vs. Adobe Premiere Pro — Text EffectsHarnessing The Power of Facial Refinement in DaVinci Resolve
Get the Free eBook! Learn how to sell without a sales manager. Download my free eBook! You need to make sales. You need help now. We’ve got you covered. This eBook will help you Seize Your Sales Destiny, with or without a manager. Download Now I got the belt a few times when I was kid. A couple of the very old nuns at Catholic school used the wooden paddle to punish me for leaving the school grounds to get lunch in eighth grade. I am certain I deserved more than I ever received when it comes to corporal punishment.I got in a good number of fights when I was a kid, and I started a good many of those fights. I was never a good enough fighter to hurt anyone else, but I got hurt a number of times. I saw a lot of people get hurt, and it always made me feel awful, regardless of the circumstances.I have never raised my hands to children.* I never spanked them when they were little. I never wanted them to believe that violence was the right response when someone does something wrong (or something you don’t like). Because violence isn’t the right answer. Might doesn’t make right (thankfully).Violence is the choice taken by those without the will to control their own state, the resourcefulness to help others change, or the ability to persuade others.Physical violence is only one type of violence. Mental or psychological violence is equally–and sometimes more–damaging to individuals. Bullying is a form of violence, and so is threatening someone.Personal leadership requires that you are able to control your own state. If you are going to be effective through and with other people, you are going to have to be resourceful in finding ways to bridge differences. You find success through influence, through people choosing to follow you.Violence or force, in any form, is weakness not strength.* When my kids really acted up and wanted my attention, I would literally go running from the room, causing them to give chase to whine and cry. I kept running until they started laughing. If the whining or crying started up again, off I ran again. The physical act of running changed their state, and soon the crying stopped.
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Essential Reading! Get my 3rd book: Eat Their Lunch “The first ever playbook for B2B salespeople on how to win clients and customers who are already being serviced by your competition.” Buy Now What someone else does to succeed has no bearing on what you have to do to succeed.You might need to make 80 dials to produce the number of appointments that result in the number of opportunities you need to reach your goals. For whatever reason, someone else might need to make half as many. They might be more effective than you are when it comes to gaining the commitment to meet. If they are in a different industry, with a different solution and a different value prop, their metrics might be very different.You might need 4 opportunities to yield a single win. That metric means in your business, you win 25% of the time. The person sitting in the next room might win 2 out of 4 opportunities, or maybe even 3 out of 4 opportunities. Someone in a different business might win 15%, specifically because of the factors that exist in their business, and another person might win 85% because of how they define “opportunities.”There is a good reason to measure your performance against your peers, and a good reason to measure your performance against different industries.By measuring your performance against your peers, you have an idea of what is possible. If someone can produce double your results with half the effort, you want to study them to discover what you need to do differently. If someone in a different industry has an approach that is yielding them greater returns on effort, you want to explore that to see if you can port their strategy over to your business.That said, your metrics are your own. If it take you 80 dials, you need to make those dials until such a time that you can generate the results you need with fewer dials. As it turns out, making those dials is what helps you improve.If your win rate is lower than you want it to be, you have to do the work review your wins and losses, get some coaching, and change your strategies and tactics to improve that number.Know your metrics, and do what is necessary to succeed. Then be thoughtful about learning what adjustments you need to make to do better.
Prime Minister Narendra Modi takes a walk on the Dhola-Sadiya bridge over the Brahmaputra in Assam after inaugurating it on Friday. Photo courtesy: Twitter/@PMOIndia 4. It is 3.55 km longer than the Bandra-Worli sea link in Mumbai. The sea link has now become the second longest river bridge in the country.5. The construction of the Dhola-Sadiya bridge began in 2011 by the Ministry of Road Transport along with Navayuga Engineering Company Ltd., under the public-private-partnership agreement6. A sum of ₹ Rs 2,056 crore has been spent on the bridge that can withstand 60 tonnes of weight, including battle tanks.7. The bridge, which has a three-lane carriage way, will also cater to the strategic requirements of the country in the border areas of Arunachal Pradesh, besides facilitating numerous hydro power projects coming up in the State, as it is the most sought after route for various power project developers.8. The bridge will make it much easier for Army convoys to reach outposts near the China border. It is also expected to boost tourism as there is no civilian airport in Arunachal Pradesh and this will make the road transport smoother.9. The bridge will increase industrial investments with better border trade between the Northeast and South Asian countries.10. State-run SAIL is the largest supplier of steel for the bridge. The PSU has supplied around 90% or around 30,000 tonnes of steel, including TMT, structurals and plates, for the bridge. Prime Minister Narendra Modi on Friday inaugurated the Dhola-Sadiya Bridge in Assam, which is India’s longest river bridge.Here are 10 things to know about the bridge:1. Spanning 9.15 km, the bridge is built across the Lohit river, which is a tributary of the Brahmaputra. It will connect Assam and eastern Arunachal Pradesh. The total length of the project, including the approach roads on each side, is 28.50 km.2. The bridge is located 540 km from Assam’s capital Dispur and 300 km from Arunachal Pradesh capital Itanagar. It connects Sadia town in Assam’s Tinsukia district with Dhola village, also in Assam.3. The bridge will reduce the travel time between Assam and Arunachal Pradesh from six hours to just one hour as the distance will shrink by 165 km.
A special court has reserved for July 31 orders on framing of charges against a private firm, its two directors and another person in a case of alleged irregularities in the allocation of the Dhadhu coal block in Jharkhand. The CBI is prosecuting Pawanjay Steel and Power Limited (PSPL), its two directors, Gyanchand Prasad Agarwal and Umesh Prasad Agarwal, and S.K. Kanungo, chief manager (Marketing) of Hari Machines Ltd (HML) in the case.The court reserved the order on conclusion of arguments by counsel for the accused and the prosecution.The court had on September 28 last year summoned them for criminal conspiracy and cheating, saying “prima facie there were sufficient incriminating evidence on record against them.”They had been later granted bail after they appeared before the court on November 9 in pursuance to a summons.The CBI had registered a case of cheating and criminal conspiracy under the Indian Penal Code and the Prevention of Corruption Act against PSPL, its directors, Mr. Kanungo and other unknown persons, including public servants.Criminal conspiracyPSPL and its two directors along with Mr. Kanungo hatched a criminal conspiracy with a view to deceive the Ministry of Coal (MoC) to induce it to allocate a captive coal block in favour of the accused firm, the charge sheet said.
The Arunachal Pradesh BJP unit has severed relations with its North East Democratic Alliance (NEDA) partner, the Peoples’ Party of Arunachal (PPA).The announcement to this effect was made by state BJP president Tapir Gao during the state executive meeting of the party here on Thursday. NEDA Convener Himanta Biswa Sarma passed on the decision of the BJP central leaders to break alliance with PPA to Gao, who made the announcement on Thursday, a party release informed here on Friday.“The BJP will treat PPA at par with the Congress as an opponent political party,” the release added.The BJP has 47 MLAs in the Arunachal Pradesh assembly with effective strength of 59 with two independents supporting the party. The PPA has nine MLAs and the Congress has one legislator.The NEDA was formed on May 24, 2016 by BJP along with regional political parties like Naga People’s Front, Sikkim Democratic Front, People’s Party of Arunachal, Asom Gana Parishad and Bodoland People’s Front in Northeast India.The NEDA was formed to protect the interest of the people of the region and also for uniting non-Congress parties in the Northeast.
Pune: The Pune police have lodged a case of cheating against prominent real estate developer and Bharatiya Janata Party (BJP) MP Sanjay Kakade in a matter pertaining to rehabilitation of villagers in Maval taluk.An FIR under Sections 406 (punishment for criminal breach of trust), 420 (cheating), 465 (forgery), 467 (forgery of valuable security, will) and 468 (forgery for purpose of cheating) of the Indian Penal Code was lodged against Mr. Kakade, his brother Suryakant Kakade and others at the Warje-Malwadi police station Saturday night. Last week, Judicial Magistrate First Class P.T. Gotey had directed that a case be lodged against the Rajya Sabha MP.The Maharashtra government, in the 1960s, had acquired land from villagers of New Kopre for construction of the National Defence Academy. Families displaced by the project were promised rehabilitation on a 14-acre plot in Warje-Malwadi through a building project led by the Kakade Group.However, villagers have accused Mr. Kakade of grabbing the plots, forging 7/12 extracts, and using the land for commercial purposes.‘A conspiracy’Mr. Kakade said the allegations were “a conspiracy” against him, denying any wrongdoing in the New Kopre rehabilitation works.Kakade Infrastructure Pvt. Ltd is also one of the accused in alleged irregularities in the tender for Sion-Panvel highway. In June, officials from the anti-corruption bureau (ACB), Thane, carried out searches at Mr. Kakade’s office in Pune. He is also an accused in the Maharashtra Sadan scam involving Nationalist Congress Party (NCP) leader Chhagan Bhujbal. Mr. Kakade is accused of abetting Mr. Bhujbal to launder money.Vital role in pollsThe MP was earlier in the NCP, before being elected as an independent candidate to the Upper House and later joining the BJP. He is believed to have played a vital role in ensuring the BJP’s victory in the Pune civic polls. However, he has alienated himself from BJP loyalists like Girish Bapat and Pune Mayor Mukta Tilak.
Nagpur: When effigies of ‘Ravan’ were being burnt to celebrate Vijayadashmi on September 30, Gond tribals in Gadchiroli and some parts of Chhattisgarh were busy in offering prayers to their ‘great king’.A large number of gram sabhas came together to offer prayers to ‘Ravan’ in Surjagad, Kamalapur, and Korchi of Gadchiroli.“Ravan was a great king of Gond tribals. But the people, who practised Brahmnic culture based on hegemony, vilified the history of Ravan to show themselves as great warriors,” said Mahesh Raut, an activist from Gadchiroli.Tribal organisations and village bodies have petitioned the government to stop the practice of burning Ravan’s effigies, but it is yet to act on their demand, he said.Mr. Raut claimed that 70 village bodies in Surjagad, which has been witnessing a protest against the mining, came together under the leadership of zila parishad member Sainu Gota to offer prayers.Tribal organisations and groups, including Tribal Students’ Organisation, Gond Society of Korchi, Gondwana Gotul Sena, Parakrami Gond Raja Ravan Sangh, Buddhist Society of Korchi, and the Halbi Society organised prayers in Korchi.
Three labourers were killed and one more seriously injured after the slab of an under-construction building collapsed in Pune’s Dattawadi area on Tuesday morning.The tragedy occurred between 10 a.m. and 10:30 a.m., when a group of four labourers were working on the 7th floor of an under-construction building which was a project by Pate Developers, a city-based construction group. The labourers in question hailed from Jharkhand and were in their 20s.The incident has brought into sharp relief yet again the pressing issue of labourers’ safety measures on construction sites.The deceased have been identified as Prakash Saav (26), Dulari Paswan (28) and Midhun Singh (22). The fourth labourer, Ramu Pawan (24), suffered serious injuries and is undergoing treatment at a local hospital, said Dattawadi police.“The labourers were about their usual tasks when the cement slab of the seventh floor caved in. All three were killed on the spot,” informed Anil Patil, senior police inspector, Dattawadi police station.Mr. Patil further informed that the police were investigating the matter and were in the process of lodging an FIR against the developers under section 304 (culpable homicide not amounting to murder) of the Indian Penal Code (IPC).He said the contractors and the project owners were being investigated to ascertain who was responsible for the tragedy and questions like whether or not the labourers were wearing safety harnesses while working at that height. The incident is a veritable replay of the Balewadi slab collapse tragedy in July last year in which nine labourers were killed on the spot.In that case, the authorities had stated that the accident was clearly a case of “illicit construction” as the builders (Pride Purple) had violated norms by constructing an additional storey (the 13th floor). Permission to build only 12 floors, plus the basement, was granted.The Dattawadi incident adds to a string of accidents that have occurred in Pune in recent years. On December 2012, 13 labourers were killed when a slab of an under-construction building caved in at Wagholi, 20 km from the city.Prior to that, in September that same year, six persons were killed on the spot and several more injured after a four-storey residential building caved in at Sahakar Nagar.Safety norms and illicit constructions came into question yet again in January 2014, when a newly constructed six-storey building collapsed in the city’s suburban region of Narhe-Ambegaon, tragically killing a 28-year-old youth who was trapped under the debris.
A complaint has been filed in a court here accusing RJD supremo Lalu Prasad of defamation for his alleged calumnious remark about the complainant’s “friendship” with Bihar Chief Minister Nitish Kumar at a recent rally. The complaint was filed by Udaykant Mishra, a member of the Bihar Disaster Management Authority, in the court of Patna Chief Judicial Magistrate Om Prakash and is scheduled to be heard tomorrow. Mr. Mishra has assailed Mr. Prasad’s utterances at a rally in Bhagalpur last month. The petitioner said that he has known Mr. Kumar for many decades and the remark was made to defame him. He also alleged that there were attempts to drag his name into the multi-crore Srijan scam, which relates to fraudulent transfer of government money into the account of a Bhagalpur-based NGO. The CBI is probing into the Rs. 1000 crore scam.
Days after releasing a separate manifesto, a Sankalp Patr, for the municipal polls, a first for any party in the state, Chief Minister Yogi Adityanath on Tuesday kicked-off his poll campaign. His first stop was politically and symbolically significant, Ayodhya, which was elevated to the status of a municipal corporation after the BJP came to power in March.The Bharatiya Janata Party is going all out to campaign for the urban body polls in Uttar Pradesh in a bid to replicate the thumping win it registered in the Assembly elections eight months ago.Mr. Adityanath is expected to address more than three dozen rallies for the municipal polls, in a style similar to Prime Minister Narendra Modi’s campaign strategy.Addressing a rally in Ayodhya, Mr. Adityanath accused the previous Samajwadi Party government of neglecting it and of trying to restrict and tarnish the “pehchaan” (identity) and grandeur of the town in the eyes of the world. Those who “discriminated with your identity”, can never be forgiven, he told voters in Ayodhya.Mocking the Samajwadi Party and the Bahujan Samaj Party, Mr. Adityanath said the two parties were struck by “electric current” each time he visited Ayodhya.“Ayodhya is a symbol of faith for us. Ayodhya is the land of maryada purshottam Shri Ram…Ayodhya should get back its glory,” the Chief Minister said. Traditionally strong in urban areas, the BJP secured 10 of the 12 mayor posts in 2012.This time mayoral elections will be held for 16 posts, with the inclusion of four new seats including Mathura (Vrindavan) and Ayodhya, names emphasized by Mr. Adityanath in his speech.While mentioning that his government had already inaugurated development projects worth ₹ 137 crore in Ayodhya, Mr. Adityanath promised more schemes after the polls. He claimed credit for restoring grand Diwali celebrations in Ayodhya and said that his government’s priority was to make the town “shine” and bring a smile to the face of every person who visited it. “Ayodhya gave Diwali to the world but Diwali disappeared from Ayodhya. We restored it,” he said.While appealing for votes for the BJP candidates, Mr. Adityanath followed up on the promise made by his party in the manifesto and said that a gaushala would be built in all major cities cater to stray cattle.After Ayodhya, Mr. Adityanath is expected to hold campaign rallies in all major centres of UP, including Kanpur, Varanasi, Allahabad, Muzaffarnagar, Gorakhpur, Jhansi, Lucknow and Mathura, with more than two rallies per day on average.Polls would be held for over 650 posts, including 16 Mayors and 200 Nagar Palika Parishads, starting November 22 in three phases. Results will be declared on December 1.
‘Degree racket’ busted in Haryana, four arrestedThe Haryana police on Saturday claimed to have busted an inter-State “degree racket” and arrested four men working at a private university in Rajasthan. The accused, who have confessed to their involvement in the scam, sold degrees for graduate and post-graduate courses without a student having to appear in exams, the police said. PTI